Seymour DuncanHumbucker Bridge - Guitar pickup Black

This thing sounds so fricken good, I literally can’t even begin to describe the gorgeous natural clean tones and crunch tones on this.So versatile, so badass, so awesome

Versatile, definito, potente. Spinge tantissimo sui distorti e si comporta in maniera egregia sui puliti. Viene fornito con 2 adesivi superfighi oltre alle viti con le rispettive molle e al wiring diagram per il montaggio

Kamm ein Tag später aber das warten hatte sich gelohnt, ein muss für Blackmetal und Deathmetal.Klares Weiterempfehlung

Das geilste humbucker ever for Blackmetal, metal absolut Kaufempfehlung

Seymour Duncan has made some of the very best aftermarket pickups for decades, and this is no exception. This pickup is a high output monster with an aggressive attack and a unique response in the midrange unlike any other pickup I've used (and that includes several dozen). I have it installed in a mahogany-bodied Les Paul, paired with a Seymour Duncan Jazz model neck pickup. Amp rig is a Marshall JVM410H/1960 Vintage cab. There are other pickups out there with more sheer output, but this pickup's power is very controllable with the tone and volume knobs. It can be a high-gain warhorse or you can roll back the volume a bit and get a sort of Billy Gibbons tone. Harmonics will jump off the guitar and it cleans up surprisingly well from what I can hear, although bridge pickups aren't great for cleans anyway.The sound is very big, and not just for black metal and such, as the name might suggest. It has other applications too, as I stated before. However, from what I have gathered through personal use, the Black Winter is truly at home with heavily muted distorted passages, high gain saturation, single note pedal tones, and aggressive solos alike. I can't say I would recommend this pickup for jazz or even blues, but for high gain music in any form, the Black Winter will deliver the goods with well-muscled tone that should satisfy any player in those genres.