On-Stage RS7500 Tiltback Tripod Guitar Amplifier Stand,Black

I bought a second one when I saw how good it was. I have a vintage 1968 Fender Twin Reverb guitar amplifier weighing 90 pounds and a 32 pound 1976 Princeton. It holds both amps well and gets them off the floor. There is some leeway about how much tilt you want. They are transportable because they are collapsible and well-priced compared to the competition.

Great stand. Surprised I don’t see more of these being used. Easily supports my 52 lb Victoria Regal amp.

The reason this is a great product is because it dramatically improves the issues with most amp stands: you’re angry at the extra hand and extra trip it requires when loading/unloading your gear, and how big and bulky they are. So what a breath of fresh air this guy is, because it folds up completely like a guitar stand, and has a somewhat smaller/adjustable footprint than other amp stands, while being plenty study enough to hold virtually any amp; you can’t go wrong! The back leg can also be lengthened further to change the tilt angle, and the top vertical piece also adjusts to support the back of your amp however you want, regardless of height without getting in the way of cables...and it has a boom arm adapter so you can mic it....so, bottom line (and it's not arguable, at least with the one I have): great buy, great value. Build a better mousetrap, and people will find it...

I bought this about 4 months ago (when it was about $10 cheaper) for my 30W Spider amp. It's the perfect size for that amp, and I'm sure it could hold a lot more. My only beef with it is that on a small stage, it doesn't really tilt back far enough, so the amp projects at my belly rather than my head. If you can put 10 feet or more between you and the amp, it would be great.It's more solid and substantial than the pictures might suggest and having the mike boom for it is great, but if you have a small amp and not a lot of stage space, you might do better with a Ultimate AMP150 stand since it can tilt back farther.

I like that it holds the amp lower to the ground than other amp stands. I play pedal steel guitar, and have to sit to play it. This aims the amp where I want it better than other stands. I also play 6 string guitar and six string slide guitar, and dobro (with a microphone). To be able to get all these into one single channel steel guitar amp, I have to use a mixer. This stand has a microphone stand threading at the top of the back support, they say to mount a boom to mic your amp. I have a swivel adapter made by Yamaha that will allow me to mount a small platform to put the mixer on.Can't say enough good things about this stand.

Been using this for about 6 months now. Have tried a variety of stands in the past with mixed levels of success. I gig out usually 2 or 3 times a week in small venues where I have to carry and set up my own gear. I bought this when it was on sale to use as a cheap backup and now use it exclusively.This stand has been a total success for several reasons:1) It's solid. I've used it with big heavy amps and small amps. In the past, I've been let down by Onstage products durability. This has taken a lot of use and has stayed strong, despite being frequently used outdoor.2) The stand sets quickly, breaks down without a problem and is easy to carry.3) The telescoping upper section (where a boom, microphone clip, or other threaded component can be attached) is very useful. I've used it to mic the amp, as a microphone stand, to attach a music stand, and even once with a theremin.Amp stands are great in small venues and even really change practice sessions. This is a good one.

I've used a Fender Blues DeVille, Peavey Valve King 112, and a Blackstar 1x12 cabinet (not all at one time) on this stand and have all held up quite well. It folds up easily and is quite compact. I'm probably gonna get a second one. Highly recommend!!

I use this stand monthly for gigs involving either a Vox AC15C1, a Fender DRRI, or a Blackstar HT-5 half stack. It works great with all three, and the built in boom mic attachment makes mic'ing each amp easy as pie. The adjustable pad on the vertical member is great to customize the padding to fall where your particular amp would hit the vertical pipe. It's also stable as a rock - I have no concerns about stage hands tipping this over, even when loaded with a heavy amp like my DRRI.Other reviewers have said that the angle is not sufficient on this stand, but I have not found that to be the case. I stand roughly 10-12 feet from it at gigs and the sound hits me right in the head. I suppose the angle would not be sufficient if your stage was super small and you were looking to use your amp like a wedge monitor.All in all a great amp stand.