Meet Joe Black seemed almost fated to fail when it was released in 1998, but this romantic fantasy--a remake of 1934's
Death Takes a Holiday--deserves a chance at life after box-office death. Although many moviegoers were turned off by
director Martin Brest's overindulgent three-hour running time, those who gear into its deliberate pace will find that
Meet Joe Black offers ample reward for your attention. Brad Pitt plays Death with a capital D, enjoying some time on
Earth by inhabiting the body of a young man who'd been killed in a shockingly sudden pedestrian-auto impact. Before
long, Death has ingratiated himself with a wealthy industrialist (Anthony Hopkins) and pursues romance with the man's
beautiful daughter (newcomer Claire Forlani), whom he'd briefly encountered while still an earthbound human. Under the
assumed identity of "Joe Black", he samples all the pleasures that corporeal life has to offer--power, romance, sex and
such enticing pleasures as peanut butter by the spoonful.
But Death has a job to do, and Meet Joe Black addresses the heart-wrenching dilemma that arises when either father or
daughter (the plot keeps us guessing) must confront his or her inevitable demise. The film takes its own sweet time to
establish this emotional crisis and the love that binds Hopkins's semi-dysfunctional family so closely together. But if
you've stuck with the story this far, you may find yourself surprisingly affected. And if Meet Joe Black has really won
you over, you'll more than appreciate the care and affection that gives the film a depth and richness that so many
critics chose to ignore. --Jeff Shannon
