From our privileged position, half a century on, there may be a temptation to feel superior and to undervalue the 1957 Covent Garden Trojans and what it achieved. We hear these distant sounds with ears familiar with the work from performances --conducted by the likes of Colin Davis, John Eliot Gardiner, James Levine and others --more assured and accurate than was possible for those worthy pioneers, tackling it for the first time. They had to make do with inaccurate performing material hired from the Paris firm of Choudens, disfigured by mistakes. But what Rafael Kubelik and his performers achieved was absolutely crucial. The Covent Gardent production vindicated Berlioz's original conception of a five-act opera embracing Troy and Carthage in a single span and did so in the face of a century of hostile, dismissive opinion.
J**R
A treasure preserved
The Testament CD of Berlioz' THE TROJANS (as the title suggests, in English) is a valuable record of an invaluable occasion. Energetically conducted by Kubelik, it preserves, among other admirable portrayals, the Aeneas of a young Jon Vickers. What's more, the sound is more than satisfactory, beyond anything I had been led to expect. For opera and Berlioz enthusiasts, not to be missed!
B**S
This is currently overpriced but it's good
The performance is certainly a good one but I have only found one (old)stereo system which succeeds in making it sound satisfactory. I have tried it on a range of expensive current systems with less success finding the quality of sound is poor for the current price.Without the text of Dent's singing translation it is difficult to pick out about 50% of the English words. Having the translation to hand, however, makes it a real pleasure to listen to. It's not that it's rough or distorted, it's just a bit lacking in clarity in the vocal mid where it particularly affects the female voice, and on most systems lacking in top. The strings, on the other hand, sound much better than the average live recording from this period. But it sounds as if the transfer to CD was made so as to minimise background tape hiss. If your amplifier has a treble control this can easily be rectified to make everything sound a little crisper and more exciting. The resulting background hiss is slight and not enough to be a problem.Nevertheless the new price having risen now to $65 at the time of writing means that anyone buying might well be disappointed, unless he is seriously committed to opera in English and wants everything available. When a passage from the recording was played recently on Radio 3's 'CD Review' it seemed to sound slightly better to me than it actually does and I suspect others could have been misled too, especially as the performance was recommended.The set does not come with the libretto but only with a quite detailed synopsis linked to the first line sung at the start of each track. This is certainly very helpful but it's still essential to obtain Dent's text because following it while listening succeeds in disguising the shortcomings of the sound quality, as I have always found with less than ideal recordings.There is also a quite lengthy and very interesting essay about the Covent Garden production and its historical importance for Berlioz's reputation by David Cairns the great Berlioz authority . There are two photographs in the booklet one of which is fairly meaningless (of the ballet).Some time back this was much cheaper and I think a more reasonable price would be about $35, which is the price that it was about 6 months ago.Fortunately I did not pay the current price.What I can say however is that it is likely to sound much better on 'vintage equipment'. One of the stereo systems that I have is about 35 years old and this recording does sound fairly decent on that - whereas on other more modern systems that I've tried it on from mid to high-end it sounds far worse.
D**A
Fantastic reminder of historical performances
I was fortunate to attend one of the performances in 1957 at Covent Garden and this recording has recreated the atmosphere of those marvellous evenings. The sound is amazing for a 50+ year old live recording. Just listen to the Cassandra-Chorebus duet in Act 1, and the Dido-Aeneas "O sweet night" duet in Act 4: this is almost ethereal. The Royal Hunt and Storm actually sounds like a storm too. And I shall never forget the moment when Blanche Thebom 'unloosed her hair' (all her own) in the final scene as she ascends the funeral pyre.If you like The Trojans buy this. There may be bits missing and a couple of wrong scene placements, but nevertheless working from the available Choudens material a little bit of history was made, dispelling the view that a complete Trojans was not viable in the theatre.
A**R
KUBELIK REVEALS A MASTERPIECE
Despite it being in English and using an inaccurate French score this was an extremely valuable contribution to establishing Berlioz' Troyens as a masterpiece. Vickers voice and performance is superior to his later recording with Davis (which nevertheless is very good) Kubelik's direction brings passion and conviction throughout. The recording for its age is remarkably fine. All modern performances use the New Berlioz Edition published by Barenreiter.
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