![Fight Club [Blu-ray]](https://m.media-amazon.com/images/I/71XgYWOug+L._AC_SL3840_.jpg)


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A depressed man (Edward Norton) suffering from insomnia meets a strange soap salesman named Tyler Durden (Brad Pitt) and soon finds himself living in his squalid house after his perfect apartment is destroyed. The two bored men form an underground club with strict rules and fight other men who are fed up with their mundane lives. Their perfect partnership frays when Marla (Helena Bonham Carter) , a fellow support group crasher, attracts Tyler's attention. Review: YOU ARE NOT THE MOVIES YOU BUY!!! - UPDATED REVIEW 16/01/2013 One of the best movies ever made: An exercise in "visual philosophy", using all technical resources to illustrate and narrate a mental imaginary and machinations based plotline. Fight Club is a fable of the id, ego, and super ego interacting, to revive the main character ("Jack) from his stupor. This lethargy and detachment from his bodily needs and id instincts, prevents him to sleep and mate. His sexual drive and need for love have been channeled into consumerism. He buys things he doesn't need compulsively, to escape his misery without success. The solutions he (or his psyche segments) comes up with are evolutionary, but basically of the same substance he longs and aches for to awaken him from this lethargy. He starts off visiting shockingly bleeding heart -support groups. Used to the corporate politically correct, neutral and aseptic dialogues, this candidness rattles him up towards vitality, recognizing his own humanity, enlightening the steps to come in the path. Nirvana is his desired path, the path at the very core of all human being that looks for religion, drugs or any perception of god or what is beyond words and things, and ultimately that ghost inside us. His Id/super ego is Tyler Durden. He shows him how to escape from fear. That fear that drove him to drown himself into things, in work and vapid banality. Then there comes the Fight Club. "Fight club wasn't about winning or losing. It wasn't about words." Says Jack. It is not about violence in the sense of hurting someone else out of anger, I would add. Jack is detached from the animal we are, that eats, defecates, has sex and breathes. Jack is detached from the caveman we have been for thousands of years, that "evolved" men despise, but is rooted in our DNA. Jack is an extreme case of the dangers of excessive consumerism, individuality and materialism of our culture. Jack fears loosing (a fight, his job, anything that threatens his ego or causes him pain) and longs for human contact and intimacy. Searching for a relationship is a big stretch. Baby steps, the support group first. Then fighting furnishes him with all this. I would like to address the movie's critics like Robert Ebert, who fail to seize the zeitgeist and how fight club relates and how the violence is tangential. The story is about a very particular individual with a very common pathology who seeks a very unorthodox solution in a very dire, desperate situation. This masterpiece exercises and puts forth "visual philosophy", displaying what would be a modern version of Zen enlightenment exercises or Koans. There is no doctor that treats greed and Ikea fetishes. This dude is on his own. He needs to get in touch with his masculinity and loose the fear at the root of all fears, the fear of death, and so do the other attendees of the Fight Club. Fighting is a start; the fear of physical harm is in the same line. Guys don't go to Fight Club to win, everyone is a winner, because the target is to unload the burden of fear. If you desensitize yourself to the fear of punches and blood, abstract fear triggers, as being fired diminish by contrast. Our culture is plagued with fears of the unknown, the what ifs that blocks us from taking risks that could change or enhance our life. Tyler Durden, the superego is boundless and moves forward unfettered to things that are not realistic for the ego, the pranks and crimes against possessions of the project mayhem. But before that he confronts Jack with the fear of death using chemical burn. Crazy, unorthodox yet effective, and more important in a movie: entertaining. Finally, Jack evolves towards love, the main driver from the start. The movie is a love story. His relationship with the woman is abrasive, because his sexuality is twisted, hence is expressed through unexpected outlets at the start. He develops his personality and is able to express caring for a female and start a relationship and integrates his psyche, destroying his overpowering superego. Metaphorically expressed by the dissolution of Tyler. A beautifully aesthetically stunning crafted movie, fluid as our thouth processes are. From the start it displays a voyage through the brain's fear center. As a fable that it is, the use of special effects and creative, aggressive, edgy cinematography suspends your disbelief into a journey in a very human experience, a tale about our war. As Tyler Durden says when he puts the finger on our greed/consumerism epidemic, "our war is a spiritual war". Interwoven masterfully are the elements of a man's struggle with this disease and fighting our war. It never stops being an action film. The rant that Tyler delivers to the fight club, encapsulates some of the concerns the movie wants to bring the audience to brood upon. It is one of the few congruent lines thrown in your lap to understand the movie and the issues brought to light. Issues related to living lives without meaning, in mechanic jobs we hate, to buy stuff conditioned by the media to, but that we really don't truly need. We've become consumer droids. Space monkeys conditioned to press buttons towards oblivion. The media offers its carrot: fame, fortune, and every Ego-booster conceivable. And if the entanglement is rooted on the ego logic, ego perception and egotistic behavior it only messes up the problem further. All reinforces the need to gain awareness of the influence of the ego. The movie doesn't wrap up nicely the answers to these questions, and throws them on your lap. This movie left me with the strong impression of watching one of the most aggressive criticisms towards the dangers of excessive consumerism, of my generation. It is difficult to believe it was made by the director of Seven and two of the most prominent actors of our generation who put their necks on the line to express these concerns. Bravo!! Review: One of the best 4K transfers of any film I've ever seen - I first saw a scratched, damaged celluloid print of this film at a dollar theater in 2000 and fell in love. Visually, this 4K UHD is incredible. The black levels on the UHD and the contrasts are superior to anything I've ever seen from a 1999 film. Flesh tones under fluorescent light are perfect, and the new 5.1 surround is mind-blowing and seemingly purposefully pushing the rears. You are enveloped. Visually, edges are sharp, but it's the contrast that is so incredible, so nuanced, so subtle. It's damn near perfect. Long shots of the restaurant look like an Edward Hopper painting absolutely perfectly lit. I admit this is one of my favorite films of all time and it's been maybe 10 years since I watched the first DVD release the last time, but this was and is cinematic eye candy. I waited and waited for years for Fincher to get this right. I wasn't going to watch it again until the 4K was available. It was coming out two years ago. It was coming out last year. Nothing. Finally, it's here! He did get it right. It was worth the wait. I'm watching on an Epson 12000 4K laser projector with a Bowers and Wilkins audio surround system and it's the best thing I've ever experienced. How do you give ten stars?
| Contributor | Brad Pitt, David Fincher, Edward Norton, Meat Loaf, Richmond Arquette, Zach Grenier |
| Customer Reviews | 4.7 out of 5 stars 21,883 Reviews |
| Format | Blu-ray |
| Language | English, French |
| Runtime | 2 hours and 19 minutes |
D**L
YOU ARE NOT THE MOVIES YOU BUY!!!
UPDATED REVIEW 16/01/2013 One of the best movies ever made: An exercise in "visual philosophy", using all technical resources to illustrate and narrate a mental imaginary and machinations based plotline. Fight Club is a fable of the id, ego, and super ego interacting, to revive the main character ("Jack) from his stupor. This lethargy and detachment from his bodily needs and id instincts, prevents him to sleep and mate. His sexual drive and need for love have been channeled into consumerism. He buys things he doesn't need compulsively, to escape his misery without success. The solutions he (or his psyche segments) comes up with are evolutionary, but basically of the same substance he longs and aches for to awaken him from this lethargy. He starts off visiting shockingly bleeding heart -support groups. Used to the corporate politically correct, neutral and aseptic dialogues, this candidness rattles him up towards vitality, recognizing his own humanity, enlightening the steps to come in the path. Nirvana is his desired path, the path at the very core of all human being that looks for religion, drugs or any perception of god or what is beyond words and things, and ultimately that ghost inside us. His Id/super ego is Tyler Durden. He shows him how to escape from fear. That fear that drove him to drown himself into things, in work and vapid banality. Then there comes the Fight Club. "Fight club wasn't about winning or losing. It wasn't about words." Says Jack. It is not about violence in the sense of hurting someone else out of anger, I would add. Jack is detached from the animal we are, that eats, defecates, has sex and breathes. Jack is detached from the caveman we have been for thousands of years, that "evolved" men despise, but is rooted in our DNA. Jack is an extreme case of the dangers of excessive consumerism, individuality and materialism of our culture. Jack fears loosing (a fight, his job, anything that threatens his ego or causes him pain) and longs for human contact and intimacy. Searching for a relationship is a big stretch. Baby steps, the support group first. Then fighting furnishes him with all this. I would like to address the movie's critics like Robert Ebert, who fail to seize the zeitgeist and how fight club relates and how the violence is tangential. The story is about a very particular individual with a very common pathology who seeks a very unorthodox solution in a very dire, desperate situation. This masterpiece exercises and puts forth "visual philosophy", displaying what would be a modern version of Zen enlightenment exercises or Koans. There is no doctor that treats greed and Ikea fetishes. This dude is on his own. He needs to get in touch with his masculinity and loose the fear at the root of all fears, the fear of death, and so do the other attendees of the Fight Club. Fighting is a start; the fear of physical harm is in the same line. Guys don't go to Fight Club to win, everyone is a winner, because the target is to unload the burden of fear. If you desensitize yourself to the fear of punches and blood, abstract fear triggers, as being fired diminish by contrast. Our culture is plagued with fears of the unknown, the what ifs that blocks us from taking risks that could change or enhance our life. Tyler Durden, the superego is boundless and moves forward unfettered to things that are not realistic for the ego, the pranks and crimes against possessions of the project mayhem. But before that he confronts Jack with the fear of death using chemical burn. Crazy, unorthodox yet effective, and more important in a movie: entertaining. Finally, Jack evolves towards love, the main driver from the start. The movie is a love story. His relationship with the woman is abrasive, because his sexuality is twisted, hence is expressed through unexpected outlets at the start. He develops his personality and is able to express caring for a female and start a relationship and integrates his psyche, destroying his overpowering superego. Metaphorically expressed by the dissolution of Tyler. A beautifully aesthetically stunning crafted movie, fluid as our thouth processes are. From the start it displays a voyage through the brain's fear center. As a fable that it is, the use of special effects and creative, aggressive, edgy cinematography suspends your disbelief into a journey in a very human experience, a tale about our war. As Tyler Durden says when he puts the finger on our greed/consumerism epidemic, "our war is a spiritual war". Interwoven masterfully are the elements of a man's struggle with this disease and fighting our war. It never stops being an action film. The rant that Tyler delivers to the fight club, encapsulates some of the concerns the movie wants to bring the audience to brood upon. It is one of the few congruent lines thrown in your lap to understand the movie and the issues brought to light. Issues related to living lives without meaning, in mechanic jobs we hate, to buy stuff conditioned by the media to, but that we really don't truly need. We've become consumer droids. Space monkeys conditioned to press buttons towards oblivion. The media offers its carrot: fame, fortune, and every Ego-booster conceivable. And if the entanglement is rooted on the ego logic, ego perception and egotistic behavior it only messes up the problem further. All reinforces the need to gain awareness of the influence of the ego. The movie doesn't wrap up nicely the answers to these questions, and throws them on your lap. This movie left me with the strong impression of watching one of the most aggressive criticisms towards the dangers of excessive consumerism, of my generation. It is difficult to believe it was made by the director of Seven and two of the most prominent actors of our generation who put their necks on the line to express these concerns. Bravo!!
M**.
One of the best 4K transfers of any film I've ever seen
I first saw a scratched, damaged celluloid print of this film at a dollar theater in 2000 and fell in love. Visually, this 4K UHD is incredible. The black levels on the UHD and the contrasts are superior to anything I've ever seen from a 1999 film. Flesh tones under fluorescent light are perfect, and the new 5.1 surround is mind-blowing and seemingly purposefully pushing the rears. You are enveloped. Visually, edges are sharp, but it's the contrast that is so incredible, so nuanced, so subtle. It's damn near perfect. Long shots of the restaurant look like an Edward Hopper painting absolutely perfectly lit. I admit this is one of my favorite films of all time and it's been maybe 10 years since I watched the first DVD release the last time, but this was and is cinematic eye candy. I waited and waited for years for Fincher to get this right. I wasn't going to watch it again until the 4K was available. It was coming out two years ago. It was coming out last year. Nothing. Finally, it's here! He did get it right. It was worth the wait. I'm watching on an Epson 12000 4K laser projector with a Bowers and Wilkins audio surround system and it's the best thing I've ever experienced. How do you give ten stars?
J**.
Gentlemen, welcome to Fight Club
Fight Club tells the story of Jack (played by Edward Norton), just a regular guy. He's average looking, has a stable job, a nice apartment, nice furniture, plenty of free time. And he's not happy. Jack just feels bored with life, saying "this is your life, and it's ending one minute at a time". He also suffers from insomnia which only adds to his depression. Then he meets Tyler Durden (played by Brad Pitt). Whereas Jack is an everyman that we can all relate to, Tyler is the guy we all wish we were. He's good looking, cool, charismatic, and the kind of guy who can convince anyone of anything. Together, the two of them start Fight Club, where once a week a group of men meet together in filthy basement to fight each other for fun. These are men who feel they have been emasculated by society and it is only in Fight Club that they feel alive. I wont say more but the plot really does get progressively more interesting and I was not prepared for how it would end. The movie explores important issues like consumerism, an issue that is just as relevant today as it was in 1999. Contrary to what some critics might say, this movie does not glorify or condone violence. It presents relevant issues without providing clear solutions. Fight Club leaves it up to the viewer to decide what to think, rather than telling you what to think. The cast of the movie is fantastic. I had never seen Edward Norton in a movie before but this performance alone has made me a fan. He plays the role of an everyman perfectly and I just a can't imagine anyone else in the role. The same can be said for Brad Pitt. I've recently started to become a fan of Pitt after seeing movies like Seven and Inglourious Basterds but his role as Tyler has got to be his best. While both were great it was Pitt that stole the show here. Every scene he is in and every line he says is memorable. Helena Bonham Carter does really well but wasn't nearly as memorable as the two leads. While she does have some good moments (one rather infamous quote in particular) she didn't really impress me. The writing was fantastic and there are just so many memorable and funny lines in this movie. As for presentation the movie looked fantastic. It might just be because this was my first time seeing a blu-ray movie but I thought Fight Club looked great. There was just something about the visual style I loved; the gritty look, use of color, and visual tricks. The cinematography and visual effects were both great and there are many moments that still look great today. This is definitely a film you want to watch twice. When you do you will notice so many little details and visual tricks that flew right over your head the first time. David Fincher put a lot of hard work into this movie and it definitely shows. The movie arrived at my house on time and in perfect condition. While I think the blu-ray case is rather thin and flimsy I suppose that's normal and not really a problem. The cover art (showing a graffiti-styled image of Norton and Pitt) is great and I've already made it the wallpaper on my computer. There are a lot of extras and behind the scenes content to watch, all of which were really interesting. No other movie in my collection has this many extras. I really hate giving five-star reviews (I actually hate giving ratings altogether but Amazon forces you to). No movie is perfect and I try to find at least some flaws to be fair. Unfortunately I just can't think of any issues I had with Fight Club. This is definitely not a movie for everyone and a lot of people wont like it but personally, I loved it. Fight Club has definitely earned a spot in my top five favorite movies and I already want to watch it again.
B**M
A Classic That Holds Up
Fight Club was one of my favorite movies when it first came out, and I watched my original copy more times than I can count. Somewhere over the years it disappeared during moves, life changes, or one of those mysterious cases where things simply vanish. I recently decided it was time to replace it and picked up the Blu-ray version. The film is every bit as good as I remembered. The story, acting, pacing, and dark humor still hold up remarkably well, and it's one of those rare movies that rewards repeat viewings. The Blu-ray transfer looks excellent compared to the older formats I owned years ago. Picture quality is sharp, audio is solid, and it was nice revisiting a film that had such a big impact on me when it was released. If you're a longtime fan replacing an older copy, or someone who somehow hasn't seen it yet, this is an easy recommendation. Some movies fade with age. This one doesn't.
R**X
Steelbook Masterpiece
Awesome sound! Awesome picture! Incredible David Fincher film! One of the best steelbooks in history(top 5)!
L**H
captivating, but meaningless
It's cool, slick and clever, but at bottom it's meaningless. The movie suffers from the same disease of cleverness that Tyler professes to hate. Jack loathes civilization and what it's doing to him. There are a few moments of insight, like the conversation about fathers and women between Jack and Tyler. But most of the targets are overly familiar. Jack doesn't like Ikea, he doesn't like Starbucks, he doesn't like the emasculation that is part of the modern world. So? Well, so nothing. Tyler's solution is to wear buckskins and "hunt elk around the ruins of Rockefeller Center." Destroy civilization and return to fang-and-claw. As soon as we've embraced this mission, the film turns its back on it, by mocking the neo-fascist traits of Tyler's organization. At the end, Jack turns against Tyler, with the intent of undoing the hostile deeds that Tyler has set in motion to end civilization. Most of our sympathies are with Tyler, despite his black shirt tactics, but the sympathies aren't strong. If the only choice is between Starbucks and fascism, who cares what happens. The film's end is clunky enough that a class could be taught using it as a negative example. Lots of holes. Unlike Poe's William Wilson, Jack is unable to kill Tyler (which under Poe's rules would have resulted in Jack's death). So he shoots himself. As a result, Tyler dies but Jack somehow survives--with what looks like a gunshot wound in the side of his face. Let's see--maybe Tyler, as Jack's wish fulfillment, was physically resident in one of Jack's molars? Fight Club is worth seeing for the cleverness, the acting, the film style, and all the little things that make for good entertainment. It's a thrill ride. But the film sets an expectation that it's going to deliver something meaningful, and it doesn't. The Norton character is grappling with a problem that most of us can identify with, but he discovers nothing, other than that his hatred for our world was greater than he imagined. In the film commentaries, we hear from the director and actors about the number of people who felt the film copped out at the end, when Jack turns against Tyler. The director's defense was that he was following the book. Not a good excuse. The actors justified the end by pointing at how ugly Tyler's tactics had become. They ignored the fact that this undermined the whole ethos of the film up to that point. The overall impression is of a team of people focused on the thrill ride and unconcerned about the meaning of the story. Fight Club reminds me of Flatliners. The premise and set up for the film in both cases is provocative and promising, and in both cases the story turns cowardly and avoids addressing the questions posed. Flatliners turns the search for the secrets at the boundaries of life and death into a moronic cautionary about the exploration itself. Fight Club turns the search for meaningful change in a degenerate civilization into a monitory on the dangers of attempting change at all. It's easy to conclude that, in both cases, the writers didn't have any wisdom to share.
D**E
Great movie!
One of my favorite movies!!! And in Blu Ray!! Item was exactly as described. New in packaging.
M**R
My Favorite Film
Fight Club is my favorite movie. For years my favorite movie was Terry Gilliam's Brazil, but Fight Club has managed to remove it from the mantle and take it's place as what I consider to be the finest film ever made. Not to quote the infamous line from the movie, but you truly cannot tell a person about Fight Club. It's like The Matrix, it's a film better seen the first time knowing nothing about. Even better if you go into it with misperceived notions of what the movie's about, so you can be proved wrong. I think the only problem with the movie is that it was meant to be seen on the Big screen. It uses certain camera tricks and techniques that were meant to enhance the theatrical experience. I fear that anyone seeing this movie for the first time at home will not take from it everything that the theatrical experience provided. So...for a proper viewing of this film...PLEASE follow the following rules: 1) be relaxed. be ready and in the right state of mind to sit back and watch a long film. It's NOT like watching "The Thin Red Line", but it is an involved film that will require your patients and attention 2) remove all distraction. Go to the bathroom, unplug the phone, and be settled to watch a great movie 3) turn off the lights, you'll like the movie a lot better in darkness...it's a very dark film and you'll need darkness to see everything 4) if you didn't like it...wait two weeks and watch it again. For a movie review: It is difficult to talk about the film without ruining it. I first saw the preview for it when I went to see The Phantom Menace. It was part of a Fox set of previews. I saw a bunch of guys fighting and a bar of soap. I thought, "Is this like that lame Van Damme movie Lionheart? No thanks." In fact none of the previews made me want to see it. Months later, after it's release, I heard a radio add for the film. The add sparked a little interest in me because it involved the reading three scathing reviews by critics and one positive review. I thought it was very ballsy of them to release those adds, but I still didn't go see the movie. The next week I was away in upstate New York on a job interview. I was flown there from California and had nothing to do on Thursday night in the tiny town that I was staying in. They had an impressive movie theater, so I thought I'd unwind from my 10 hour interview by taking a film in. When I arrived at the theater, Fight Club was just starting, so I bought a ticket on a whim (even though I really didn't like Lionheart very much). I walked out of that film with my mind buzzing. I had just enjoyed one of the most incredible theatrical experiences I had been through in a very long time. As soon as I go back to San Diego I took three friends to see the movie. I was so excited for them to see it and to hear their reaction. I Needed someone to talk about the film with. After the movie, and for the entire ride home in the car, no one said a word. I thought to myself "Oh no! They hate me for making them see this movie." Finally all three broke the silence and thanked me for taking them to one of the best movies they've ever seen. I saw that movie 4 times in the theater, because I wanted all of my friends to see it. Some loved it, some hated it, some didn't get it...but all were happy they saw it. I don't want to give away any of the movie. I'll just warn you that you'll like it or you'll hate it. Either way, you should see it. If you have no opinion about it...you need to learn to think a bit more critically about your world and the art that you see, because this is a film that you should have an opinion about. As for the DVD, like the Seven DVD, David Fincher packs it full of goodies and commentaries that make it a worthwhile purchase. Finally, you can make a great Trilogy if you watch three movies in this order. First watch American Beauty, then Fight Club, and finally Office Space. All three films have similar messages told in very different ways. Watch Office Space last, because the first two films are so heavy, you might need a little comedy to lighten your mood. Warning: watching these three films may make you quit your tedious job/life and go look for something more fulfilling in the world.
J**.
¡Excelente película! Y edición... 😎
Es una excelente película, de las mejores del séptimo arte. Si bien la edición (10º Aniversario) no pareciera ser una edición de aniversario, si lo es; ya que, pues contiene algunas características especiales... 😬 En lo personal me encantó el arte del disco y portada. Y por el precio tienes la película en su máxima calidad posible (de momento). Ojalá salga más adelante en 4K... *La agarré en oferta por $161, andaba desde los $200 hasta los $250 si no mal recuerdo. 🤔 Estoy muy contento con mi compra. 🙂
S**P
Une bombe cinématographique! Culte et définitif.
Quand on revoit la chose, ça fait sacrément froid dans le dos cet aspect visionnaire…L'art peut parfois annoncer un futur terrible. Deux ans avant le 11 septembre 2001, la dernière image de ce film de fin de siècle montre un couple de dos, main dans la main, regardant deux tours symboles du monde capitaliste s'effondrer l'une à côté de l'autre. Quant au flash-forward sur le même lieu au tout début du film, la première phrase prononcée par Brad Pitt tient en ces mots: "This is it: ground zero." Une boucle glaçante. Pourtant, quand on insère le blu-ray du film dans son lecteur, on tombe sur le menu d'une décérébrante comédie romantique imaginaire pour adolescentes pré-pubères avec Drew Barrymore, puis l'image se pixelise, se brouille d'interférences et survient alors le menu en forme de catalogue Ikéa de Fight Club, accompagné d'une musique d'hypermarché. Après le DVD qui avait proposé un furtif écran d'avertissement détourné, le support HD rend à son tour hommage à la folle inventivité visuelle du film et annonce la couleur: vous voulez du produit marketing formaté? Et bien allez vous faire foutre. Ah et puis oubliez l'eau précieuse, ici y a que du savon fabriqué avec de la graisse humaine, OK? "Where is my mind?", titre du morceau des Pixies qui clôt le long-métrage est la question qui doit triturer le cerveau fatigué d'un Edward Norton dépressif et insomniaque au début du film, dans lequel il incarne un petit expert en assurances spécialisé dans les accidents de voitures, dont la vie moribonde va être dynamitée par sa rencontre avec le charismatique Tyler Durden (Brad Pitt), vendeur de savon à la philosophie nihiliste. "Where is my mind?" car Fight Club est avant tout un survival spirituel. Mais un objet du genre radical, qui a filé un gros coup de vieux à Orange Mécanique. Un trip violent et primitif, où l'homme moderne occidental doit tout perdre pour être libre et éprouver la souffrance pour se sentir vivant. Ranimer un esprit aliéné par un capitalisme cynique et retrouver une animalité anesthésiée par une société de consommation émasculante. Une génération d'homme en manque de repères paternels et en quête d'identité qui a envie d'en découdre et de remettre tous les compteurs à zéro. D'exploser d'un coup de poing rageur le marasme conformiste ambiant et de filer un gros coup de latte dans le ventre du système de valeurs bourgeois, quand c'est pas dans la tronche de son prochain. Faut quand même admettre: c'est plutôt un film d'hommes. C'est pourtant une femme qui y joue un rôle salutaire et rédempteur. David Fincher a trouvé dans le roman de Chuck Palahniuk ses thèmes de prédilection - quête obsessionnelle, aliénation, manipulation - et confectionne un film hallucinant, sensoriel, étourdissant, décapant, invraisemblable, outrancier, corrosif, tuméfiant, viscéral, furieux, hilarant, schizophrénique, éprouvant… bon oui euh…un truc de dingue, quoi dont la noirceur est contrebalancée par des perles d'humour…noir ("On m'avait plus baisée comme ça depuis l'école primaire", "Cette gonzesse, Marla Singer, n'avait pas de cancer des testicules. C'était une menteuse"). Un pur moment de rock'n'roll qui reste sans doute encore aujourd'hui la meilleure adaptation d'un roman jamais portée à l'écran. Palahniuk, époustouflé par le résultat final avouera d'ailleurs après coup avoir eu honte de son livre, matériau pourtant fantastique qui permet à Fincher de continuer à explorer les tréfonds obscurs de la psyché humaine. Le réalisateur qui a obtenu à Hollywood le privilège du final cut après son expérience douloureuse sur "Alien 3" confirme son immense talent, intransigeant dans sa direction d'acteur et imposant une sophistication visuelle impressionnante. Le film, ultra stylé dans son ambiance nocturne, regorge de trouvailles au service du scénario de Jim Uhls (incrustations graphiques, effets numériques, images subliminales, tremblement de pellicule) nappées d'une bande originale anxiogène concoctée par le duo électro Dust Brothers, aussi typique de l'univers "fincherien" que celle composée par Trent Reznor pour The social network, Gone girl ou le générique de Seven. Côté interprétation, Norton se glisse à merveille dans la peau blafarde de ce zombie gavé à la publicité abrutissante et aux repas micro-ondés, ressuscitant quotidiennement grâce à sa participation assidue à diverses réunions d'entraide de cancéreux. Quatre ans après Seven, Fincher offre à nouveau un rôle en or à Brad Pitt, dont le charisme emporte tout sur son passage. Le statut culte de l'oeuvre sera pour beaucoup dû aux diatribes dévastatrices déclamées par son personnage emblématique de gourou anarchiste, représentation physique de la perfection masculine virile, irradiant la pellicule tout en y insérant des images pornos durant ses heures de projectionniste occasionnel. Avant d'être la muse gothique de Tim Burton, Helena Bonham Carter se livre ici à une prestation toute en grâce destroy. La beauté pâle et douce de son visage se fond idéalement dans la réussite esthétique du film. Fincher confie aussi deux seconds rôles à des chanteurs rock: un Meat Loaf mamellisé et un Jared Leto peroxydé, embrigadés dans le fracassant projet Chaos d'un film qui laisse K.O. Cette satire s'avérera beaucoup trop explosive et déstabilisante pour faire l'unanimité critique. Une sensationnelle proposition de cinéma moderne qui filera notamment la gerbe aux journaleux des Inrockuptibles, Télérama et autres Cahiers du cinéma, ce qui est particulièrement réjouissant et en fait définitivement une oeuvre d'utilité publique.
I**N
great
Everything came in good condition, the only downside being that it was region 1 only, witch is kind of bad for ppl living in the eu. great movie overall
A**R
Fight club is the best movie forever and ever
I have watched other David Fischer's movies "seven", "The Curious Case of Benjamin Button", which Brad Pitt appears, and these movies was also great. The movies made me a big fan of him, but after watching this movie, I was so impressed and got more into his performance. I have ever watched so many movies in my life, and I can say it without doubt, Fight Club is one the best movie I have ever watched. The actors in this movie look unique and very cool. That makes this movie attractive. The film narrator, actually his real name is unrevealed in this movie, who is also leading character (Edward Norton) spends his life working boring job and has problem with sleeping. However he finds joy which is going to as many support seminar for people suffering from cancers as he can. He is not suffering from cancers though. By Bring there, talking with people who has serious disease, getting ready to cry, he is able to release himself and sleep very well at night. This is his vacation. One day, a woman, Marla Singer(Helena Bonham Carter), comes in the seminar, forces him to stop attending the seminar and ruins his routine. The narrator also meets Tyler Durden (Brad Pitt) on the plane. He is charismatic soap salesman looking very straightforward, and he enjoys his life by doing what he wants. The narrator has nothing special about his life, but everything changes when he meet Tyler. One night, two of them meet at bar and suddenly Tyler asks the narrator to hit him as hard as the narrator can. At first, it looks strange request but after they start hitting each other they feel good for some reason. A strange feeling comes to them. They feel satisfied by fighting, feeing pain. The narrator begins to think "everything else in life got the volume turned down. I could deal with anything". As they start fighting in front of bar as usual at night, other people watching them soon join in. Under the ground of the bar becomes Fight Club. Only the moment they are fighting makes them feel alive. It doesn't need words. I was really surprised when I found that Tyler and the narrator was actually the same person. Tyler was the ideal character that the narrator created. It was funny to see Edward Norton hitting himself in front of bar, and at the same time, it was impressive. Some people may say this movie is aggressive and promotes violence. I don't think so. The purpose of Fight Club is self-destruction. Not violence to others but accepting the pain makes them feel alive. I think this is the point of this movie. There is a symbolic scene where the narrator fights with a blonde guy. Even though the guy is already knocked off and passes out, he keeps punching the guy on the face. This scene made me really sick. He is completely beaten up and his face is covered with blood. Tyler said to him " where did you go? Psycho boy". I realized that this kind of extreme violence is thought as unacceptable behavior in this movie. Also I was moved by some Tyler's lines. "It’s only after we’ve lost everything that we’re free to do anything." "This is your life, and it’s ending one minute at a time." "Without pain, without sacrifice we would have nothing." I feel like Tyler tells me something important of life. That's why I love this movie. I absolutely love this movie and can watch it over and over again. Both Brad Pitt and Edward Norton's acting is absolutely fantastic. Thanks to Fight club, I've rediscovered how great actors they are. This movie has some strong messages. It's about finding yourself and finding out what you really want to do in your life. I'm sure you will get into this movie and some quotes. I recommend you to watch this movie if you are interested in.
N**K
Amazing movie
I love the movie and the CD is all good
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