An Oscar-« nominee for Best Documentary and winner of the 1986 New York Film Critic-¦s Circle non-fiction film prize, Marlene is a "portrait of a remarkably strong-willed woman, stage-managing her career right up to the bitter end" (New York Times) that brilliantly lifts the veil on a movie star of the brightest magnitude as she is fading into twilight. N September of 1982, Oscar-« winning actor and director Maximilian Schell (Julia, the Man in the Glass Booth) arrived in Paris for a series of on-camera interviews with Marlene Dietrich intended for a documentary film on the screen icon-¦s life and work. Despite having agreed to participate, the near-recluse Dietrich withdrew permission for her Judgment at Nuremburg co-star to film in her flat. Instead, in over 40 hours of audio-taped interviews, the 81 year-old screen legend provoked a battle royale of conversational mind games leading to unforgettably raw and truthful emotional revelations. Using Dietrich-¦s candid, bruising, infuriating, and occasionally touching off-camera musings on childhood, marriage, sex, love, collaborators, co-stars, life, death, and the Holocaust, Schell "sets her words, like a score, to the stunning film images of the young Marlene." (Washington Post). The hypnotic final result- buoyed by self-reflexive making-of footage, and an impressionistic re-creation of the sunless Paris flat where star and filmmaker fenced, fought, and ultimately connected- is the "Sunset Boulevard of documentaries" (Washington Post).
D**.
A brave attempt to make a silk purse out of a sow's ear. 4* overall, but with some reluctance
Schell seems anxious to take the credit for this documentary, but in doing so, he is actually taking the blame. He and Dietrich had appeared together in Judgment At Nuremburg, for which he won an (IMHO thoroughly undeserved) Oscar.In the documentary, she praises his performance in that to the skies. Beyond that, though, the documentary is largely an entertaining train wreck.First, she refuses to be filmed whilst being interviewed, so that the visuals are ample scenes from her film (and, rather less so) stage performances. In addition, as obvious filler material, we have an excess of behind-the-scenes footage, largely of the process of these excerpts being edited.Next, she clearly does not like many - perhaps most - of the questions he puts to her. She pours scorn on them and refuses to answer. She often explains clearly why she thinks the questions are so irrelevant. Schell thus appears as an incompetent interviewer, although one should add that Dietrich, who oozed charm in most of her films, comes across as rather cantakerous in her old age.Sadly missing is evidence of an enormous dustup between them. We hear Dietrich savaging Schell for having walked out on her, but we see or hear nothing of the incident which caused that.Amongst this carnage, though, there is a fair bit of insight. Dietrich talks eloquently of why she showed herself to be decidedly pro-American during WW2 and of the reaction in Germany when she returned there afterwards. I wish she had talked more about her art: we hear a certain amount and it is insightful, but her skill as an actress and a singer is what accounts for her legendary status and I wish she had shown a little more self-analysis.Much the same goes for her relationship with directors. She talks at some length about Orson Welles. Their joint effort - Touch Of Evil - is next on my viewing list. She talks at less length about her working with Fritz Lang. I was badly disappointed at their joint venture - Rancho Notorious - since I hold them both in high esteem. I understood more after her discussion of this.3* as a documentary and 3* for its entertainment aspect. 4* overall, but with some reluctance.
S**R
A Great Documentary
Marlene Dietrich was a recluse in her later years. According to her daughter's memoirs, she spent most of her time withering her famous legs away in bed, not leaving for days and weeks at a time. It is amazing that she let Maximillian Schell into her home to interview her for a documentary, even if she did not allow him to film her. She knew she was being difficult, but she also felt she was doing him a favor.Faced with a difficult predicament, Schell artistically filmed a recreated home filled with Dietrich memorabilia, look-alikes, and footage from Dietrich movies. It does not go in sequence; when Schell tells Dietrich this in the movie, she seems pleased. The ending is insane and well edited. Everything blurs together and sort of serves as an outlet for Schell's frustrations during creating the documentary, I'm sure.Half of the interviews were conducted in German and half were done in English, so one must read subtitles unless one speaks both languages. It is nice to hear Marlene speak in her native tongue; she often says "quatsch," or "nonsense" in German. She is stubborn and opinionated, sometimes contradicts herself, but is always interesting. She speaks against feminism, being critical of her, and anything kitschy.Dietrich did not want the film released when she saw it. She thought it made her look bad and tarnished her legend. In fact, it made me love her more. Dietrich is not a sugary sweet figure and never has been. This documentary emphasizes that point. She was insanely stubborn and opinionated, often comically and always respectably. However, the finale of the film shows Dietrich in her last film singing "Just a Gigolo" quite emotionally. Then she recites a sad poem along with Schell and breaks down in the middle of it. It is obvious that Marlene Dietrich was not the hard-as-nails figure she always wanted herself to appear to be; she had a heart. It is revealed in this film.
B**N
Definitely an Interesting Film
I found this documentary very interesting, but much of it is in German with subtitles. That was not a problem for me, as I speak German. I really liked hearing the German conversations between Marlene and Maximilian Schell since It improved my rusty fluency. My mother grew up in Berlin at the same time as Marlene (but under vastly different circumstances) and Marlene was a customer at my grandmother's couture house in Berlin. Having said all that, Marlene was always a favorite in my family. Even today my husband and I will watch Witness for the Prosecution whenever it's on TV. Marlene did a wonderful job in that film and really should have received the Academy Award for that role (she was also very good in Judgment at Nuremberg). This film helps one get a fuller picture of her and her times. Was she a great actress? I would say she was a great personality, a great presence and certainly a wonderful entertainer. I saw her in California in one of her last appearances. She held the audience in her hands. What an amazing performer. As for this film, I think it's as much a tribute to Maximilian Schell's perseverance as to Marlene herself. She certainly was a difficult subject to document, she wanted to remain in control to the end. If you liked Marlene or like film history, this is one of the finer documentaries on a film personality.
I**O
Clips and voice-over.
Dietrich refused to appear on screen when this documentary was made. So it’s clips, stills, and VoiceOver. She is uncooperative with the filmmaker, Maximilian Schell; she makes it clear that she’s doing it at all for the money (“the contract.”). Sometimes they are speaking German. She reveals nothing about herself and is pretty hostile throughout.
W**E
The one and only Marlene
Marlene was one of the most outstanding -- to quote Time magazine -- "cinemactresses" of the 20th century. Her breathy voice and understated performances will be long remembered. She was definitely one of a kind. I wonder if Marilyn Monroe, another breathy performers, too k any cues from the great Marlene.
P**R
Marlene
Die beste Marlene Doku aller Zeiten . Danke für den schnellen Versand .
H**R
Video wie beschrieben
Neuware, schnell erhalteb
L**N
Ein muss für jeden Fan!
Diese Doko muss man gesehen haben. Ein kleiner Einblick in das Leben von Marlene Dietrich. Eine Glanzleistung von M.Schell. TOP
M**K
DVD Marlene, Interview zwischen Maximilian Schell und Marlene Dietrich
Prädikat: Besonders wertvoll!In diesem Interview erfährt man sehr viel von dem Menschen, Marlene Dietrich. Eine sehr starke Frau mit Rückrat. Im Alter aber ein sehr einsamer Mensch, der selber von sich behauptet:" Ich gehe mich einen Dreck an." Zum Schluß des Gespächs mit Maximilian Schell weint sie und ich mußte es auch. Dieses Gespräch hat mich zutiefst bewegt. Ein besonders wertvolles Dokoment der Zeitgeschichte und einer außergewöhnlichen Frau! Unvergessen!!!
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