---
product_id: 57064751
title: "Confessions On A Dancefloor"
price: "KSh19715"
currency: KES
in_stock: true
reviews_count: 11
url: https://www.desertcart.co.ke/products/57064751-confessions-on-a-dancefloor
store_origin: KE
region: Kenya
---

# Dancefloor Vibes Ultimate Party Experience Frustration-Free Packaging Confessions On A Dancefloor

**Price:** KSh19715
**Availability:** ✅ In Stock

## Summary

> 💃 Dance Like Nobody's Watching!

## Quick Answers

- **What is this?** Confessions On A Dancefloor
- **How much does it cost?** KSh19715 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.co.ke](https://www.desertcart.co.ke/products/57064751-confessions-on-a-dancefloor)

## Best For

- Customers looking for quality international products

## Why This Product

- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Timeless Classic:** A must-have for every music lover's collection.
- • **Perfect for Gatherings:** Elevate your social events with infectious rhythms.
- • **Unleash Your Inner Dancer:** Transform any space into a vibrant dancefloor!
- • **Curated Beats for Every Mood:** A playlist that keeps the energy high and the vibes right.
- • **Certified Frustration-Free Packaging:** Enjoy hassle-free unboxing and get straight to the fun.

## Overview

Confessions On A Dancefloor is a dynamic music collection designed to energize your gatherings, featuring certified frustration-free packaging for an effortless unboxing experience. Perfect for millennials seeking to elevate their social events with infectious beats.

## Description

Disc: 11. Hung Up2. Get Together3. Sorry4. Future Lovers5. I Love New York6. Let It Will BeDisc: 21. Forbidden Love2. Jump3. How High4. Isaac5. Push6. Like It Or Not

Review: Worth it. It's worth investing it at full price, to have, to experience, seriously, with wine, with dancing shoes etc. ... - desertcart sold this album from their good value Web audio downloads section for 79p, though I think it was part of their January sales in 2009. It's about time desertcart downloads were available to British people at home, thanks at last desertcart. The downside is you have to Fast Forward / Rewind rather than picking tracks. Mmmm ... this was 79 pence for the whole album. Thank you desertcart. So if you're a miser or poor, or miserly for an album by Madonna, this is great value. Why not splash out with 79p and get the non-stop mix of Confessions on a Dancefloor from wonderful desertcart...? This is a really strange album. I'm sure that's what was intended. 'Let's make a retro album to get them' - or 'double wonder retro' it's someone imagined from the retro world or 'a retro world' doing retro - 'to get them' - like those strange avant-garde artists who want to provoke a reaction of getting under your skin or something. Whilst also, you know, this piece of art disco music being a natural sort who just slowly crafts earthenware pots as a cottage industry in his backyard. It's worthy too, actually. It is disco. Really obviously, with no identity concerns. It's certainly not house music, which some Madonna music can be a subset of. While it's modern club music as much as disco music, dance music based clubs (meaning 'non-mecca', or better, those living on the line in time which dated from rare groove and house in the 80s, sometimes called more underground clubs) aren't likely to play this much. 'Mecca' is an ancient British term for a popular dance venue, weekly fun location for many more dancers than any other dance venue type, and also an often hugely derided type of disco club. 'It just wasn't cool!'. And also, they just weren't cool at all, very frequently (that's me!) - also good places at times. Mecca goers would have loved this slow disco music, it would have fitted, though it's so much more serious and greater than most of the rest of Mecca hall popular tracks. 'Confessions on a Dance Floor' is though for every dance hall, cool clubs for a change, and the ghost of Mecca places too. Why not? They were fab at times too. And it would be funky in every dance hall, maybe not of the very best songs heard on that night. It's certainly worth experiencing Madonna's conceptual throwback art for 79 pence. This album is so strange and contrived it's hard to say it's good or bad. But it's certainly interesting. And you can certainly enjoy doing dancing. Do dancing, it's good, it's serious, it's fitness and it's you, it is because you've started and you will find it worthwhile. What's more, as the conceptual artists involved know so well, it's a social event kind of thing - this happened, you know. This really went and made big. So hear it. Hear the times inspired by past times. It's lovely. O.K. it's a bit more complex than that alone: Be involved in something a bit left of centre, a bit right of centre in being almost vacuously left of centre just in itself, which you should take notice of - that's what they made in essence, exactly that, from the drawing board. (Perhaps its right of centre first, then left, Canadians will tell you differently etc ...) But it's also fine, so that doesn't always count. And of course it's a bit better than that too, quick rewinds in your head of what you've just listened to confirm there is quality in there. Just not TOO much. Why it's fun, really. The album starts with the clock ticking, like going back in times I guess, then 'Time goes by ... so slowly' and I think that's because these people are still back there in the 70s and early 80s in this album. It doesn't matter that that last sentence doesn't make any sense, it's all in some science fiction disco world where it does make sense. And, it's serious. It doesn't want to be great. And so you don't have to let it be. It doesn't want to be anything - it has integrity as well as being contrived, this paradox is part of its nucleus of identity. I don't know if it's possible to let it be great. I can't tell, truly. I reallly need to add also that (as well as some quite clinical retro stuff which has quality) there are few classics on here - for example 'Get Together', with a production with a house tip and nodding to 70s, 80s, 90s slow techno, and techno pop influences is excellent. This song will easily fit among the top half in a single album of 10 tracks of Madonna's greatest tracks. The other thing I need to say is the example of what sounds like it could be a pretty wonderful song, 'Future Lovers', given a backing and rhythm arrangement which sounds only like the conceptual part of this album expressing that this stuff is 'been there, done that', for our notebooks. I think that's a shame. The next song 'I love N.Y.' makes it clear that everything's not good and bad though - just is, maybe without value, and there's the value (!), however hard and gritty and disappointing this may be to accept. The educational value of conceptual art. You know, it's not a good school though (to me at least), the minimalist, low key, has been, grungey quality of 'I love N.Y.' is again selling the production which Madonna's interpretation deserves far short. Conceptual art plan has lifted a low charting grungey rock techno pop song from a low chart position in 1982 and played it back underneath Madonna's fine, atmospheric, characterful vocals. Generally Madonna is singing very well indeed on this. It's also a great theatre space the great lady is playing at. It's a further annoyance though that really great production arrangement elements are often followed by really naff elements. If you have really good speakers, I know from experience that this album can be a really amazing experience, much better than with headphones. I don't have great speakers at the moment, but it's giving joy. Despite the disappointing parts I mentioned, there is so much interesting stuff here, and a great deal of quality that the mix album just about deserves five stars. I hate to be relative and draw attention to the fact this is in the handful of better albums of the last 4 or 5 years, and there haven't been many better albums in recent times. But that's nothing to do with its 5 star ratings. A highly recommended album. Most interesting. Most rewarding and indulgent to experience. A true element of value of rich, modern culture, whenever it was actually first conceived.
Review: Great artist madonna - Fantastic album

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN  | B000BRBGO6 |
| Best Sellers Rank | 6,604 in CDs & Vinyl ( See Top 100 in CDs & Vinyl ) 1,205 in Pop Rock 1,774 in Vinyl |
| Customer reviews | 4.8 4.8 out of 5 stars (2,280) |
| Is discontinued by manufacturer  | No |
| Item model number  | 9362-49460-1 |
| Label  | Warner Bros |
| Manufacturer  | Warner Bros |
| Number of discs  | 1 |
| Original Release Date  | 2006 |
| Product Dimensions  | 31.29 x 31.39 x 0.79 cm; 235.87 g |
| SPARS Code  | DDD |

## Images

![Confessions On A Dancefloor - Image 1](https://m.media-amazon.com/images/I/61Y8l+H8+WL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Worth it. It's worth investing it at full price, to have, to experience, seriously, with wine, with dancing shoes etc. ...
*by A***R on 21 January 2009*

Amazon sold this album from their good value Web audio downloads section for 79p, though I think it was part of their January sales in 2009. It's about time Amazon downloads were available to British people at home, thanks at last Amazon. The downside is you have to Fast Forward / Rewind rather than picking tracks. Mmmm ... this was 79 pence for the whole album. Thank you Amazon. So if you're a miser or poor, or miserly for an album by Madonna, this is great value. Why not splash out with 79p and get the non-stop mix of Confessions on a Dancefloor from wonderful Amazon...? This is a really strange album. I'm sure that's what was intended. 'Let's make a retro album to get them' - or 'double wonder retro' it's someone imagined from the retro world or 'a retro world' doing retro - 'to get them' - like those strange avant-garde artists who want to provoke a reaction of getting under your skin or something. Whilst also, you know, this piece of art disco music being a natural sort who just slowly crafts earthenware pots as a cottage industry in his backyard. It's worthy too, actually. It is disco. Really obviously, with no identity concerns. It's certainly not house music, which some Madonna music can be a subset of. While it's modern club music as much as disco music, dance music based clubs (meaning 'non-mecca', or better, those living on the line in time which dated from rare groove and house in the 80s, sometimes called more underground clubs) aren't likely to play this much. 'Mecca' is an ancient British term for a popular dance venue, weekly fun location for many more dancers than any other dance venue type, and also an often hugely derided type of disco club. 'It just wasn't cool!'. And also, they just weren't cool at all, very frequently (that's me!) - also good places at times. Mecca goers would have loved this slow disco music, it would have fitted, though it's so much more serious and greater than most of the rest of Mecca hall popular tracks. 'Confessions on a Dance Floor' is though for every dance hall, cool clubs for a change, and the ghost of Mecca places too. Why not? They were fab at times too. And it would be funky in every dance hall, maybe not of the very best songs heard on that night. It's certainly worth experiencing Madonna's conceptual throwback art for 79 pence. This album is so strange and contrived it's hard to say it's good or bad. But it's certainly interesting. And you can certainly enjoy doing dancing. Do dancing, it's good, it's serious, it's fitness and it's you, it is because you've started and you will find it worthwhile. What's more, as the conceptual artists involved know so well, it's a social event kind of thing - this happened, you know. This really went and made big. So hear it. Hear the times inspired by past times. It's lovely. O.K. it's a bit more complex than that alone: Be involved in something a bit left of centre, a bit right of centre in being almost vacuously left of centre just in itself, which you should take notice of - that's what they made in essence, exactly that, from the drawing board. (Perhaps its right of centre first, then left, Canadians will tell you differently etc ...) But it's also fine, so that doesn't always count. And of course it's a bit better than that too, quick rewinds in your head of what you've just listened to confirm there is quality in there. Just not TOO much. Why it's fun, really. The album starts with the clock ticking, like going back in times I guess, then 'Time goes by ... so slowly' and I think that's because these people are still back there in the 70s and early 80s in this album. It doesn't matter that that last sentence doesn't make any sense, it's all in some science fiction disco world where it does make sense. And, it's serious. It doesn't want to be great. And so you don't have to let it be. It doesn't want to be anything - it has integrity as well as being contrived, this paradox is part of its nucleus of identity. I don't know if it's possible to let it be great. I can't tell, truly. I reallly need to add also that (as well as some quite clinical retro stuff which has quality) there are few classics on here - for example 'Get Together', with a production with a house tip and nodding to 70s, 80s, 90s slow techno, and techno pop influences is excellent. This song will easily fit among the top half in a single album of 10 tracks of Madonna's greatest tracks. The other thing I need to say is the example of what sounds like it could be a pretty wonderful song, 'Future Lovers', given a backing and rhythm arrangement which sounds only like the conceptual part of this album expressing that this stuff is 'been there, done that', for our notebooks. I think that's a shame. The next song 'I love N.Y.' makes it clear that everything's not good and bad though - just is, maybe without value, and there's the value (!), however hard and gritty and disappointing this may be to accept. The educational value of conceptual art. You know, it's not a good school though (to me at least), the minimalist, low key, has been, grungey quality of 'I love N.Y.' is again selling the production which Madonna's interpretation deserves far short. Conceptual art plan has lifted a low charting grungey rock techno pop song from a low chart position in 1982 and played it back underneath Madonna's fine, atmospheric, characterful vocals. Generally Madonna is singing very well indeed on this. It's also a great theatre space the great lady is playing at. It's a further annoyance though that really great production arrangement elements are often followed by really naff elements. If you have really good speakers, I know from experience that this album can be a really amazing experience, much better than with headphones. I don't have great speakers at the moment, but it's giving joy. Despite the disappointing parts I mentioned, there is so much interesting stuff here, and a great deal of quality that the mix album just about deserves five stars. I hate to be relative and draw attention to the fact this is in the handful of better albums of the last 4 or 5 years, and there haven't been many better albums in recent times. But that's nothing to do with its 5 star ratings. A highly recommended album. Most interesting. Most rewarding and indulgent to experience. A true element of value of rich, modern culture, whenever it was actually first conceived.

### ⭐⭐⭐⭐⭐ Great artist madonna
*by M***. on 4 October 2025*

Fantastic album

### ⭐⭐⭐⭐⭐ Had to get this album as a record
*by F***A on 4 February 2026*

I had this cd at 11 years old and have always loved it. I had to get this record and have checked over the years to no avail, until a week ago. The pink is gorgeous and sounds even better on vinyl

## Frequently Bought Together

- Confessions on a Dance Floor
- Ray of Light
- Bedtime Stories

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---

*Product available on Desertcart Kenya*
*Store origin: KE*
*Last updated: 2026-05-17*